In a previous post I provided details about the new novel that I am working on: NIGHT OF SORROWS is the preliminary name of this book and the third and final book in the TWO JOURNEYS trilogy (get a copy of the first two books, for instance on your iPhone / iPad). I am now at 45,000 words, 55,000 to go.
The hero Alan, still as tough as nails… combining unrelenting courage, adaptability, compassion and inventiveness – pre-conditions essential to survive in a devastated, post-pandemic world.
Danger lurks around every corner, and not just from humans. To illustrate the man’s resilience: here’s a short sample from the unedited manuscript. Not intended for the weak & meek. DON’T try this at home.
Stay tuned for more.
Part of Chapter 7
Lewis’ eyes explored my face. “What happened to your eye?”
Usually, people ignore the black patch that covers my left eye, they just stare at it curiously, too embarrassed to ask.
“A guy with a knife attacked me.”
“Sorry to hear that.”
I shrugged. “He’s too. I shot him.”
Lewis’ eyebrows went up, a combination of respect and shock. I usually tell anyone who asks me this story. Why not make the best out of the loss of an eye? In addition, the true story was so embarrassingly weird, that nobody ever believed it.
I had at one point made the foolish decision to take a motorbike for a ride. In the absence of humans and pesticides, insects had returned in large numbers and as the engine accelerated onto an unspoiled stretch of highway, I hit into a cloud of fat hornets. One had landed in my eye and stung me multiple times. I fell off the bike and barely made it back to base. The next day, my left eye swelled up beyond recognition. I dragged myself to a drugstore where I camped for a few days, trying out any useful medication or antibiotic that I could find. It was no use; without any help, I suddenly had to decide between dying or operating on myself; the left side of my face was swollen like a red balloon, and the eyeball was gray and obviously invested by an aggressive, unbeatable bug. I pulled a stretcher into a backroom, mounted lights and a mirror above it, and prepared an infusion with a cocktail of salt, painkillers and antibiotics. Lying on my back, I anesthetized half of my face. The next hour was the most horrible in my entire life. On some level, even my wife’s death was by comparison a walk in the park. In my dreams, especially after a heavy meal, I sometimes still see the scalpel approaching my eye. The first incision was excruciating. I shortly passed out from pain and the obnoxious smell of puss and blood that ran down my face. I screamed in horror and shook my head like a wild man. After many minutes I regained some control, and feeling slightly better, I turned my head back to look at my reflection in the mirror. With my gloved hand I opened my half-closed eyelids. The eye itself was gone, the socket a gaping hole, with some ugly bits of tissue and the stump of the nerve in the back. With trembling hands, I rinsed the wound and patched it up with bandages and disinfectant that I had prepared earlier. Then I fainted. It took me six weeks to recuperate.
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My books and short stories received additional attention, this time in the newspaper Rhein Neckar Zeitung. A great interview about my work and sources of inspiration. The English translation of this German article can be found below. Here is the direct link to this February 1st, 2021 article. Here is the Article as PDF.
Curious about my books? Find them here on Goodreads.
The “Rheinmonster” short is available in English and German. For the English version, refer to the short story bundle “SHORT STORIES”.
English translation of the interview.
Clemens Suter-Crazzolara likes the city of Hockenheim: “I really enjoy living here.” Now he has set a monument to the city with his first horror story “The Rhine Monster”. It’s a mini science fiction book for young and old that is a little scary. It’s about a grandfather who tells his grandchildren a horror story about a dangerous monster. This monster is up to mischief in Hockenheim until two heroes take action against the monster. Will they actually defeat the monster?
That will not be revealed at this point. “It is my first book that I wrote in German,” says Clemens Suter-Crazzolara. So far, the 60-year-old has written three novels in English. It usually finds readers in Great Britain, the USA or Australia. A fourth novel is in the works and should appear later this year.
The author wrote his debut novel ten years ago: “I could no longer hold back the urge to write.” So he regularly got up at 3 or 4 a.m. to sit at his desk. Then he went to work. His first science fiction book is downright prophetic: An epidemic threatens the world. “By chance I chose a corona virus. As the current situation shows, it is one of the viruses that can quickly become dangerous through mutations.” The novel was published in 2011 and was successful. “With the actual Corona crisis, interest has increased again.”
Clemens Suter-Crazzolara actually comes from the Netherlands. Even as a child he loved to write. “I started a novel then,” he says. He still has the fragments. “They’re flying around somewhere.” After school, he had the choice of studying history, journalism or biology. The author decided to study biology. The first professional station was in Switzerland, where Suter did research in cell biology, also on HIV, and afterwards did his doctorate. He remembers the moment when he and colleagues looked at the first batch of HIV viruses delivered from the USA in their tubes: “We had respect for the danger.” He came to the Heidelberg University Clinic via the Max Planck Institute for Plant Breeding Research in Cologne and did research on Parkinson’s disease. “I was always on the search for the truth. This is how you advance research in small steps in search of cures.”
When he switched to the IT company SAP, the expert once again dealt with health issues, this time from the perspective of the software industry: “How is it possible, for example, to gain new information from the flood of data?” This know-how about viruses, infections, software programs and data flows into creative writing. Readers can deal with current future topics in an entertaining way.
The author publishes his books himself and markets them on the Internet as paperback and e-books. He is now looking for a publisher to publish his English books in Germany. The horror story of Hockenheim is already written in German. It should be noted that the chairman of the Kunstverein Hockenheim also paints and exhibits pictures. After deducting expenses, Clemens Suter-Crazzolara donates the proceeds from pictures and books to a good cause. “It’s great that I have the opportunity to write and paint – that’s where I want to help other people.”
Info: The e-book “Das Rheinmonster” is available in all eStores for 0.99€.
Exciting news about my new book. In case you have been wondering why I have written only few blogposts over the last months… first, I was very busy with my fundraisers, which managed to raise more than 2500€ for charity through my paintings and books. Then, I was giving several interviews to newspapers about my books, which took up some time time. And next to that I am now working on my FOURTH NOVEL… which will be the final book in the TWO JOURNEYS Trilogy – the grand finale!
TWO JOURNEYS (2010), and the second novel in this series FIELDS OF FIRE (2015) deal with the aftermath of a corona pandemic; these are high-rated post-apocalyptic adventure novels. The third and final installment has the provisional title NIGHT OF SORROWS, and I hope it will hit the (e)book stores before the end of 2021. Research has been taking up considerable time; I had to study the geography of the areas where the novel is situated, spanning two continents, as well as new technological developments – the Internet-of-Things/IoT, Artificial Intelligence, space travel, robotics and more. In 2010, TWO JOURNEYS made a predication about the danger of pandemics and especially corona. My new novel tackles the risk of artificial intelligence for mankind… I don’t want to give away too much at this stage, also as the plot is still developing – let’s see where it may ultimately end.
Currently I am at 25,000 words, so at a about a quarter. I am cranking out 10,000 words a week, probably 2 months more of writing, then re-writing, and then it’s off to the editor. If you would like to pre-read the manuscript, or if you are an editor, feel free to contact me :-) For all those of you that can’t wait until the book is available, below is the first chapter & prologue. Mind, it still has to go through several rounds of editing, this is the raw initialtext. Comments welcome!
Here we go… strap on your seatbelt.
Night of Sorrows / Prologue
First draft. Copyright Clemens P. Suter 2021
Every beginning has its challenges. Every ending too, but at least good endings happen quickly. I stare at the paper in front of me, the handwriting contrasting black against white. A tear, which must have fallen out of my remaining eye, has deformed a written word, like a lens enlarging a crucial yet long forgotten detail. Five pages finished. If I continue writing at this speed, I will have died long before I reach the end.
Over the years I often toyed with the idea of writing down my story, which is exciting by any man’s standards. But there were numerous reasons not to do so. For one, my life left little time for scholarly work. More cynically: an author needs an audience, and is there any audience left? Who will ever read my notes?
The darkness surrounds me like a cloak, only disturbed by the flickering of the candle. I adjust the blanket around my shoulders. A fire roars in the woodburner, but it doesn’t help against the cold. Outside, a snowstorm tears at the walls of the cabin. I tilt my head to listen for sounds. It is deep in the night, early morning almost, hardly the time for any creature to be about. Did I hear something, a distant shout? I chose this hide-out on purpose, far away from any predator’s path. My many years of experience always keep me on full alert; I’ve had too many unhappy encounters with four- or two-legged hunters. I look at the dogs at my feet, but they seem unalarmed. I shrug off any fear and try to retrace the thoughts that passed through my head a few moments ago. Why did I survive so long, while so many died? All my friends and most of my enemies – long gone. The hand that holds the pen is gnarled and covered with the spots of age. I have lost weight and muscle and the hair on my scalp. My back is stooped, my joints hurt in the morning. But I am still here, going like an old clock.
The pandemic devoured humanity, the fallout sterilized the planet: but neither managed to kill me. Was I chosen? Or was I punished? I never was a religious or superstitious man, and deep inside I know that no miracle or lucky star is needed to explain my survival: it is just freak coincidence. I am like the single bacterium that has picked up resistance against an antibiotic, the last tree that remains standing after a forest fire.
For a few moments, my thoughts continue to wander, until they uncomfortably home in on the events of that singular winter, so many years ago. They always do. With all the drama of my past life, those events stick out like a sore thumb, impossible to ignore, blotting out many other memories of my eventful life.
I stand up from my chair, shrugging the blanket from my shoulders and the bad thoughts from my mind. The dogs raise their heads towards me, their eyes gleaming in the dark. Although I feel the need to write down my story, in the hope of expelling the bad taste that it leaves in my mouth, I cannot continue.
Restlessly I pace the cabin. I tilt my head to listen. Finally, I remove the bar open the door. The storm is astonishingly strong, and snow immediately sweeps in. I feel the sting of the cold as the air hits my face. Visibility is low; at the most a few meters. I cannot even sense the valley that lies in front of the cabin. The flame of the candle is blown out, and in the semi-darkness, I see how the papers from my desk are blown out of the cabin and into the white landscape. I laugh madly. The dogs cower close to my legs, tails between their legs. Together we stare into the darkness.
I listen. The wind blows loudly, but I am now convinced that I can hear a sound, far off, irregular and organic. Something is moving out there, something or someone is shouting. Friend or foe, I cannot tell. I grab for the rifle that stands against the wall and I check that is it is loaded.
I remain in the doorframe. Closing the door and putting the bar back on isn’t an option; it never is. The enemy doesn’t rest, they never give up the chase. They continuously circle, pounce, bite and kill without mercy. Likewise, friends are unceasingly in need of help, faltering and hopeless, they lose themselves in the darkness of the night. Fear or compassion; I’m forced to confront any obstacle, to handle any challenge, swiftly and if need be mercilessly.
I slip into my coat and I put on my moth-eaten woolhat and gloves. I stuff a torch into my pocket. The wind picks up speed. The darkness is now complete; no sign of a rising sun, stars nor moon.
The snow stings in my eyes as we step from the door into the wild white vortex, gun raised, dogs barking. I feel how my teeth bare themselves in a menacing grin. No matter how old I get, no matter how much these old bones hurt, by everything holy and unholy, throw it at me, life.
A few days ago I stumbled over an intriguing site: Prometheum Wastes Chopshop, which describes the story (as the creators put it) of a “dry and dirty landscape and the challenges that you are going to have to face to be able to survive here”.
As the author of TWO JOURNEYS, the 2010 adventure novel that predicted the Corona Pandemic ten years ahead of time, apocalyptic and SciFi landscapes continue to intrigue me.
However, what makes Prometheum Wastes Chopshop particularly interesting is the “sustainable creativity in the new normal”. In these times it is hard for all of us to come together, and with a looming economic crisis, money to spend may be running scarce too. But challenging times lead to innovation, as demonstrated here. In this project, young individuals from different parts of the world came together virtually. They share a passion for painting gaming miniatures (such as Warhammer and Dungeon & Dragons), but realized their means were significantly reduced to buy pre-fab miniatures from the stores. So, they created a community that jointly developed the story of a waste planet somewhere in an apocalyptic future. In addition, they ran challenges where actual waste materials (plastics, such as empty and discarded deodorant containers) are used to create the elements of the story – which include for instance the vehicles, transporters, buildings, and landscape. At the links below you can see how this is done, as well as the end result.
This crowd-initiative reminds me of the concept of the circular economy, which is currently being discussed at all levels of society and industry, with the objective to build a more restorative and sustainable society. The core team of this group consists of students and young professionals. For now, the team may well be mostly focused on growing a community of like-minded folk, being creative and inventing a story together – with no direct monetary intentions. But rest assured, such a virtual, high-quality effort will get noticed and may well kindle the interest of either film or game industry. Why am I impressed? These professionals demonstrate what the new normal in pandemic times could look like: 1.digital, 2.global, 3.sustainable, 4.creative, and 5.delivering value.