The background of this painting is highly structured Acryl (unlike many of my other paintings I used only little sand or pigments), the dogs are in oil. Each dog differs slightly from the other, yet they all are very similar; I’ve used a paper template and some spraypaint to create and position the initial outlines. I developed this template technique in 2013, and it allows the creation of shapes in exactly the right position very quickly, yet as I soon discovered the risk is that the painting may look sterile and as if it came off a printing press. So the placement of the template in a deliberately deviating position and the final step of painting by hand with a rough brush is key to make the motives come alive.
A bright painting, with strong contrasts between the pale background and the dark blue of the animals. Ancient Egypt is mostly reflected by the shapes, not the colors.
Several years ago, I started, inspired by Buddhist art, to paint landscapes. Especially mountainscapes, I should emphasize: I saw a few paintings by an Indian artist in a documentary and liked the bright colors and tranquility of the depicted scenes. I add a personal touch, in that I use very rich oil colors for the mountains, yet sand and pigments for the sky. Some of the paintings (not this one) you could theoretically view upside down as well. Concerning the process: creating the sky may take quite long, as the layers of paint and sand need to dry in between and the structure had to be „just right“… yet painting the mountains may take only an hour or so. If the mountains do not look good, I scrape off the oil paint completely, discard it and start again.
The frame of this painting is wood with black pigment (don’t touch the frame: you will get black hands :-)
Click on the tag „painting“ below for more of my work.
The Osaka aquarium is truly worthwhile to visit: it has a huge tank with millions of liters of seawater, that goes across four floors and holds meter-long sharks. The glass of this tank is 30cm thick – and specially made.
I snapped dozens of photos; which due to a slight error involving two left thumbs, a few glasses of cold sake and a Japanese kindergarten-teacher, spontaneously erased themselves from my camera. At 2 a.m. in the morning.
In creating this painting, I thus had to resort to my hazy memories of a somewhat smaller sweetwater fish that I recall having seen in one of the little tanks on the second floor. A friendly chap with a broad smile – this species wasn’t actually red but gray, nevertheless I’m sure he wouldn’t have objected to a splash of color.
This painting has a twin – about the same size and about the same fish. But the latter painting was bought by a fan and is now located in a home in Northern Greece.
This small painting dates back to pre-2000, I particularly like the way the depth of the sea is depicted through the use of sand of different colors. I have used very thick layers of blue oil paint for the body of the delphin.
The photo doesn’t do the actual painting justice, some day I should put the painting outside in the day light and snap a real good exposure.
In any case, I love this little portrait. It calls up strong associations although I won’t say which ones for me personally, since I have noticed that every viewer interprets the motive slightly differently. It is a mysterious piece of work.
Click on the tag “painting” below to find more!